Early computer art publications

 

Artist Vera Molnar sat behind a computer, believe its around 1980 but hard to date, if you watch the video it shows a small Houston Instruments Hi Plot Flat-Bed plotter working away next to her.


Vera Molnar
photo Tracks Arte

 

I’m working on a catalogue for plotter practitioners about the early history of pen plotter materials. It looks at the variety of papers, pens and inks and the context surrounding their use during the 60s –70s. I’ve become a bit of a paper enthusiast in recent years due to an interest in indie magazines and artist books etc., and I studied computer graphics way back so this strangely-niche-subject ticks many of my boxes.
A pen plotter is a computer controlled vector drawing machine, most often with a pen attachment though you can use brushes etc.; it’s driven by code instructions such as pen up and down. Back in the 60s, pen and microfilm plotters were among the few ways to view output from a digital computer as there were no screens yet. Scientist-engineers were the first to have access in labs and universities. They’d write a program, maybe hand it off to an operator and come back in a day or two to see what they’d done. Pen plotters have been in continuous use since then, just about surviving inkjet printers (ours is a modified 3D printer).
One aspect of the research I particularly enjoyed is all the publications and ephemera around early ‘computer art’. I’ve always been curious how magazines covering digital design are handled, and this list delves into the history of that genre. More recent examples are Increment, Offscreen, Holo, Back Office, and the Google Span books. This small curated list of 27 items, gives a quick tour through some highlights. I’ve taken some liberties by including publications which are ‘computer art adjacent’, or that relate to the history in some way. There’s overlap between early computer art, concrete poetry and graphic design which is reflected here; as a new field they’re weren’t whole publications deadicated to it.

 

Silver cover, square format, Spirale 9 in top right-hand corner lowercase. line drawing on cover in off-white

( photo Lars Müller Publishers )

Spirale magazine
Concrete art and poetry magazine
Dieter Roth, Marcel Wyss, and Eugen Gomringer
n°8 essays by Gerstner, Franke and Laposky
35 × 35 cm
9 issues, 1953 –1964

 

Max Bense' book with title Aesthetica printed on front


Aesthetica
Max Bense, German philosopher
Bense hosted 1st computer art exhibition
Volumes 1– 4
Book
1954 –1960

 

White cover, square format, all-type cover with black text in Akzidenz-Grotesk, designed by Vivarelli,

( photo North East )

Neue Grafik Magazine
Founded by Josef Müller-Brockmann
Richard Paul Lohse, Hans Neuburg and Carlo Vivarelli
“Rational and constructive graphic design”
18 issues, 255 × 280mm
1958 –1965

 

White cover with repeated black type, Emil Ruder designed all the covers of the 1961 run of Typographische Monatsblätter with some variant of Univers, repeating this pattern by increasing and decreasing point sizes.

( photo fontsinuse )

TM SGM RSI magazine
ed. Jean-Pierre Graber
Swiss typography journal
1932 –1990 ( focused on 60s –70s era )

 

 It's a lovely exhibition catalogue, in a slim tall format with nicely designed spreads. The cover is white with black type in a sans typeface, stating Konkrete Kunst (Concrete Art) designed by Max Bill.

(photo theprintarkive)

Concrete art exhibition catalogue
Vera Molnar first group exhibition
Organized by Max Bill, Zürich
ed. Max Bill, Margit Staber
11.2 x 29.5 cm
72 pages, softcover
1960

 

Square format, ivory cardboard cover with loose artwork inside, lowercase text on from top left Ludwig Gosewitz and right typogramme 1


typogramme 1
Ludwig Gosewitz
Poetry portfolio / book
Cardboard folder, with 15 sheets inside
Published by Eugen Gomringer Press
20.5 × 20.5 cm
1962

 

Green square cover with concept art in black letters printed overlapping on page


An Anthology of Chance Operations
Henry Flynt’s essay Concept Art 1961
Designed by G. Maciunas
Fluxus journal
20 × 23 cm
1963

 

The 1963 cover of Computers and Automation


Computers and Automation
Published by Edmund C. Berkeley
Launched The Computer Art Contest in Feb. 1963
Magazine
Established in 1950

 

Karl Gerstner Designing Programmes book, slightly battered cover, black sans text on aged white paper. Gerstner was involved in the New Tendencies movement, participating in all four exhibitions '61-'73, and featuring in Bit International magazine.


Studio International
Renamed in 64, The Studio founded in 1893
Above ’67 issue has essay ‘Computer art’ by By Jasia Reichardt
Magazine
1964

 

Karl Gerstner Designing Programmes book, slightly battered cover, black sans text on aged white paper. Gerstner was involved in the New Tendencies movement, participating in all four exhibitions '61-'73, and featuring in Bit International magazine.


Designing Programmes
Karl Gerstner
New Tendencies movement
Book, 1964

 

rot is a small square journal 15 × 15 cm, with a bright red cover designed by hansjörg mayer. rot is in the futura typeface all lowercase as was Mayers' want. One the earliest publications of computer art was Rot 19 1965, featuring work by Georg Nees drawn on a Zuse Graphomat Z64 flatbed plotter

( photo agoodbook)

rot 19
ed. Max Bense, Elisabeth Walther
Georg Nees computer graphics
Max Bense projects of generative aesthetics
Released with 1st computer art exhibition
hansjörg mayer, Stuttgart
Note Abraham A. Moles, rot n°8 1962
Journal, 15 × 15 cm
Feb. 1965

 

Four punch cards used as gallery invites, in green, yellow, blue and red, with the famous words Computer-Generated Pictures instead of using the word 'art'

( photo Spalter Digital Collection )

Howard Wise Gallery Invites
Bela Julesz and A. Michael Knoll
Computer-Generated Pictures
Second computer art exhibition
NYC, April 6–24, 1965

 

Plastic spiral bound square exhibition catalogue, red graphics and black text on white background

( photo theideaofthebook )

Between Poetry and Painting
curated by Jasia Reichardt
Exhibition catalogue
Plastic spiral bound square
October– November, 1965

 

Plastic spiral bound square exhibition catalogue, red graphics and black text on white background

( photo Hansjörg Mayer )

computer grafik Exhibition Poster
Frieder Nake, Georg Nees
Third computer art exhibition
Pub. Hansjörg Mayer
5 November, 1965

 

A folded up single sheet broadside (like a map) white paper with futura 13 printed in black text, lowercase futura typeface as was Mayer's want

( photo theideaofthebook )

futura 13
Frieder Nake
computer grafik
edition Hansjörg Mayer
Broadside, single sheet, offset
48 × 64 cm unfolded
1966

 

A white newsletter with the text: The purpose of Experiments in Art and Technology, Inc . is to catalyze the inevitable active involvement of industry, technology, and the arts . E .A .T . has assumed the responsibility of developing an effective collaborative relationship between artists and engineers.


E.A.T. News
ed. Julie Martin
Experiments in Art and Technology News
See also TECHNE, Two issues
Bulletin / newsletter format
Offset-printed
Staple bound, 7 pp
28 × 21.5 cm
Issue One, January 15, 1967

 

issue of the CalComp newsletter


CalComp Newsletter
California Computer Products Inc.
Manufacturer of CalComp plotters
Bulletin / newsletter format
Computer art on the back page
1967

 

Form no. 4  Brighton Festival Exhibition of Concrete Poetry, square format white paper, Josef Albers artwork on front cover


Form
eds. Steadman, Weaver, Bann
Kinetic art and concrete poetry journal
Ten issues 1966 –1968
Square 240 × 240 mm
note, POTH 24
1967

 

Square journal with bit in lowercase in a pixel art looking typeface, pink graph paper grid behind title


Bit International
New Tendencies journal
Nine Issues, 1967–1972
bit n°1 texts by Bense and Moles
NT. 5 exhibitions, 1961 –1973
Square format

 

Square journal with bit in lowercase in a pixel art looking typeface, pink graph paper grid behind title


Cybernetic Serendipity Catalogue
Curated by Jasia Reichardt
Studio International Special
1968

 

Square journal with bit in lowercase in a pixel art looking typeface, pink graph paper grid behind title


Leonardo journal
Established 1968 by Frank J. Malina
Pergamon Press
1968

 

issue 19 of page newsletter with Frieder Nake holding a large artwork in front of him


PAGE
Bulletin of the Computer Arts Society
Began as a double-sided A4 sheet
ed. Gustav Metzger until issue 27, Dec. 1972
page n°18, text by Frieder Nake, 1971
1969 –1985

 

CAyC bulletins, yellow sheets with edges clipped, this issue features Sol LeWitt


CAyC →
Centro de Arte y Comunicación, Argentina
Jorge Glusberg
Yellow Sheets with clipped corners
CAyC bulletins
1969 onwards

 

A silver, spiral bound exhibition catalogue, Impulse Computerart repeated three times in a row in black type, pattern underneath that looks like a line printer design using keyboard numbers/symbols

( photo Kunstverein München )

Impulse Computerart
Spiral bound exhibition catalog
Georg Nees, Frieder Nake, CTG et al.
Third in a series of exhibitions
08 May – 07 June, 1970

 

Square exhibition catalog with illustration on front of Mohr working at a large plotter

(photo Manfred Mohr )

Manfred Mohr Computer Graphics
Exhibition catalog
Computer Graphics “Une Esthétique Programmée”
First one-person exhibition in a museum
Work from 1969 –1971

 

Square magazine with a black and white image of a dogs face with motion blur applied, on the cover of this Avalanche, No. 7 Winter / Spring 1973, issue

(photo Printed Matter)

Avalanche magazine
ed. Liza Béar and Willoughby Sharp
Nam June Paik, Max Bense, E.A.T, Sol LeWitt et al.
Square, 23.5 x 23.5 cm
13 issues, 1970 –1976

 

The 1978 cover of  Computer Graphics And Art, black background with white artwork


Computer Graphics And Art
ed. Grace C. Hertlein
Above February, 1978 issue
Magazine, 11 issues
1976 –1978

 

 

Experimental Magazines and the International Avant-Gardes, 1945  –75
Gwen Allen: Artists’ Magazines. An Alternative Space for Art
– Howardena Pindell: Alternative Space: Artists' Periodicals
What are multiples?
Punch Card Programming